This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. The tracks combined her typical impressive storytelling abilities while tying together strong emotions of frustration that feel at home in "Reputation" (seen in the track "The Man") as well as stories of falling in love and almost losing it that feel at home in "Speak Now" or "Red" (as seen in "Cornelia Street"). Any album judgment requires not just multiple listens, but the passage of time to sit with the music. No one would have blamed her for taking a well-deserved creative hiatus after that marathon of releases, but Taylor has proven herself to be an artist of momentum multiple times over. Here Taylor sacked off her country roots and embraced full-blown pop. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. But as we all know, Taylor Swift isn't like other artists. Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. Too many of us have felt like the monster on the hill encroaching on a peaceful city, the devastated partygoer in the blood-soaked gown, the midnight raining on a kindred spirit's sunlight, the lovesick loner lost in a labyrinth of their own making. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Tier ranking every single Taylor Swift song was the hardest thing I've ever done lol, so ENJOY! Released in 2014 and named after the year she was born, "1989" was inspired by the pop music of the mid-1980s. "The 1" and "August" tied for the top spot. ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. She later builds upon this skill with an added emphasis on production and atmosphere, landing victorious (almost) every time. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. Morgan Wallen One Thing at a Time (2023) 20. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? Songs like I Know Places ride a reggae swagger and trap-influenced snare beats before launching into a soaring, Pat Benatar-esque chorus. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. If you have a hard time taking a side, you can either click "I Like Both" or "No Opinion," though the catch is that the process might take longer. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. 176. Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. For the album ranking, I considered a few factors including cohesiveness, listening experience, the number and quality of standout songs, and if the album is musically interesting or lyrically special. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. "Musically and lyrically, Red resembled a heartbroken person. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). Swift's other albums have hits that I can imagine hearing in a grocery store or on a radio station years from now and immediately recognizing just from the opening chords alone. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Swifts most recent release is a glittering return to pure-pop music. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. Swifts surprise eighth album arrived with very little fanfare. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. Its a brilliantly honest moment, taken from Swifts most mature album yet. Song for song, the album finds Swift at a new peak in her command of language. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. "Swift's usual approach to dabbling in new genres or sounds is to go balls-to-the-wall, but on 'evermore,' she's just as good at curating these more detailed production flourishes, all with the same contouring and meticulousness as she does with her best lyrics," she wrote. On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. In this critical-darling album, Swift has done away with over-the-top production, catchy lyrics, and any sort of hit-making formulas and instead presents a stripped-back collection of songs with captivating stories and, in true Swift form, incredible lyrics. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") In every instance, whats noteworthy is Swifts precision in communicating her exact intent. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. 'I. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. So, the savant of promotional whimsy announced an upcoming album in August, cloaked her website in a cryptic countdown reading "Meet me at midnight," posted the premise of "the stories of 13 sleepless nights scattered throughout my life," and ceremoniously revealed the track titles from an antique bingo machine in a TikTok series. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. The best Taylor Swift's Albums rankings are on the top of the list and the worst rankings are on the bottom. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. She's an artist defined by eras (as is the name of her heavily anticipated upcoming tour) a Reputation era for self-defense, a Lover era for romantic solace which her adoring fans latch onto and assign to their own life stages with fervor. That she employs her long-established songwriting tropes in novel ways is truly the most significant development here. Speak Now. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. And on Midnights, Taylor turns to us, yet again. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. Overall, it's charming and mostly tame, but then again, she's happy. The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. Consider how the instrumentation drops out during the last two words of the hook in Last Kiss, allowing the singers breathy vocal delivery to bear the entirety of the songs emotional weight, or how a simple acoustic guitar figure on Enchanted slowly crescendos behind each repetition of the line I was enchanted to meet you. Unfortunately, the greater complexity and range found in Swifts sound and in her song constructions doesnt necessarily translate to her songwriting. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. Immediate highlights include tracks like "Willow," an upbeat song that transports listeners back to the "Folklore" universe. While tracks like Cardigan and Invisible Strings hinge on protracted metaphors, Mad Woman and Peace are blunt and plainspoken. escaped the fate of Pharrell in Minions or Timberlake in Trolls). It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. Swifts cottage-core diptych felt innovative in how they rebuilt Swifts sound from the ground up, but despite its own idiosyncratic delights, Midnights ultimately feels too indebted to her past efforts to truly push her forward. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Let's be clear: There are no bad Taylor Swift albums. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. that have almost childish lyrics to soft, heart-wrenching ballads about love and loss like "Soon You'll Get Better.". If nothing else, the album proves shes unwilling to operate on anyones terms other than her own. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". What once felt (or possibly still feels) like the end of the world is, on "Taylor's Version," also a testament to resilience we'll make it to the other side, and we'll do it again and again. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. 2023 Oscars predictions: See who will win at the 95th Academy Awards. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. The resulting 2021 album, Fearless (Taylor's Version), is an inspiring feat and first step forward after reclaiming the masters of her life's work. 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