Her early background in percussion likely influenced her rhythmic style; her music often features complex, intricate rhythmic passages, even when melodies are lyrical. Higdon was recently inducted into the American Academy of Arts and Letters. She has served as Composer-in-Residence with the Pittsburgh Symphony Orchestra, the Green Bay Symphony Orchestra, the Philadelphia Orchestra, the Fort Worth Symphony and the Music Academy of the West. Violin Concerto in D major, Op.35I. [1] It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The cats run and hide.. In its citation, the Pulitzer board described the piece as deeply engaging and said that it combines flowing lyricism with dazzling virtuosity., Higdon said she wrote the concerto with Hahn in mind and that the piece is meant to show off her gifts.. In Dooryard Bloom (2004), for baritone and orchestra, textual comprehension is, again, a primary concern and how naturally she handles the ebb and flow of Whitmans complex prosody. This site uses cookies to offer you the best possible experience. Her works written for soloists include baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. In June, Higdon said she will premiere a new concerto written for the new-music group eighth blackbird in Atlanta. Pulitzer for drama goes to Next to Normal. Storm - Barcarole, Barcarole (Seven Mad Gods Who Rule the Sea): II. [1] In the latter work, Higdon goes to great lengths to provide the soloist with long stretches of soft, melodic music (mostly for vibraphone and marimba) which acts as a welcome foil for the obligatory, drum-heavy fireworks one (rightly) expects in a percussion extravaganza. The American Violin: Big, Bold, Singing, Striving. Jennifer Higdon started late in music, teaching herself to play flute at the age of 15 and then beginning formal musical studies at 18, with an even later start in composition at the age of 21. Her music has been hailed by Fanfare Magazine as having "the distinction of being at once complex, sophisticated but readily accessible emotionally", with the Times of London citing it as "traditionally rooted, yet imbued with integrity and freshness." She is a major figure in contemporary classical music, receiving the 2010 Pulitzer Prize in Music for her Violin Concerto, and Grammy Awards for the recordings of her Percussion Concerto (2010), Viola Concerto (2018), and Harp Concerto (2020). And how is the composer planning to celebrate her win? Conductors who worked extensively with her include Christoph Eschenbach, Marin Alsop, Leonard Slatkin, and Giancarlo Guerrero. The same year, Higdon's Percussion Concerto won the Grammy Award for Best Contemporary Classical Composition. 3. The final movement, "Fly Forward," was inspired by Hahn's fleet fingers and, Higdon says, the Olympics. Here, again, the composer has written a crowd-pleaser that pleases for reasons one might not expect. Societies & Foundation Associations near Missoula, MT. Jennifer Higdon's Violin Concerto was completed in August of 2008 and premiered 6 February 2009 by the work's dedicatee, Hilary Hahn, with the Indianapolis Symphony Orchestra (co-commissioner) and Mario Venzago, serving as conductor. By Jennifer Higdon. The second movement, entitled 'Chaconni', has a pastoral feel, vaguely reminiscent of Vaughan Williams but with the lark ascending into a more unsettled sky. In January, Higdon won a Grammy Award in the category of contemporary classical composition for her Percussion Concerto. Florida State University (degree granting institution). She now receives more than two hundred performances a year of her works. Indeed, theres an English pastoral quality to much of Higdons lyrical writing. Gramophone is part of "Jennifer Higdon's Violin Concerto: The Genesis of a Twenty- First Century Work." DMA, Florida State University. The 60th Annual Grammy Awards took place on Sunday night, and one of the big winners in the classical category was the viola, with two Grammys awarded for a recording of Jennifer Higdon's Viola Concerto, performed by violist Roberto Daz. [5], The League of American Orchestras reported Higdon as one of the most performed living American composers, in 2008. Notable, here, are the frequent and pronounced changes of texture, colour, and character she employs to create a sustained sense of surprise. She tries to reflect the mood of the text, which results in melodies that tend to have a more romantic sound. [16] Tom Service, also in the Guardian also criticized Higdon's Concerto For Orchestra. Because of her lack of formal training at an early age, Higdon struggled to catch up early in her college career. Featured New Releases . Higdon earned an Artist's Diploma from the Curtis Institute of Music, where she studied with David Loeb and Ned Rorem and taught the future virtuoso Hilary Hahn. But though it looks backwards not only to Bartk but various other mid-20th-century masters the music displays such confidence and lan that one is swept away. Le Temps L'Horloge - Henri Dutilleux Related Music Access-restricted-item true Adaptive_ocr true Addeddate 2019-07-27 11:49:03 Betterpdf true Personally, I would prefer not to hear it this way again, but it was interesting. Higdons Violin Concerto for Hilary Hahn won the 2010 Pulitzer Prize for Music, and the composer said she found that out in a very 21st century fashion, when she noticed her cell phone was suddenly flooded with dozens and dozens of messages. The Azuri Quartet will premiere the new work. Higdon has been a featured composer at festivals including Grand Teton, Tanglewood, Vail, Norfolk, Winnipeg and Cabrillo. If you are a library, university or other organisation that would be interested in an institutional subscription toGramophoneplease click herefor further information. Higdon sets Jeanne Minahans emotionally layered poems so that every word can be understood; occasionally one senses its the violin and orchestra who are singing, not the choir. "Her willingness to communicate with audiences and her openness to musicians' comments is extremely refreshing. Deutsche Grammophon 4778777 68:16. She didnt begin composing until she was 21 and even then only at the behest of her flute teacher but went on to complete graduate studies at Curtis and the University of Pennsylvania, working with Ned Rorem and George Crumb, respectively. Rather, she tends to alternate between rhythmically strong phrases built from short, often simple motives and long-limbed, rhythmically restless, discursively expansive lines. Check out this recent article in the New York Times. 3 and Julia Wolfes Steel Hammer.. In 2018, Higdon received the Eddie Medora King Award from the University of Texas at Austin. Jennifer Elaine Higdon (born December 31, 1962 [1] ) is an American composer of contemporary classical music. Composer Jennifer Higdon has won the Pulitzer Prize for music for her Violin Concerto, making her one of the few women to have won the country's top classical music prize. During her time at Bowling Green, she wrote her first composition, a two-minute piece for flute and piano named Night Creatures. For other uses you need to obtain permission from the rights-holder(s). The concerto is in the usual three movements but with unusual designations. Allegro moderato [0:19:22.71] 05. I basically started from the very, very beginning. Sauer, Gregory (professor directing treatise) I want to be able to speak to you on a kind of visceral level. Jennifer Higdon's style, however, is direct and imaginative, filled with unique harmonic colors, solid thematic development, and a subtle and intimate lyricism. Gramophone is brought to you by Mark Allen Group All Rights Reserved. While some contemporary composers write in complex styles understandable only by educated musicians, Higdon strives to write music that is " as hospitable as a Southern dinner." She's written piano sonatas, concertos for violin and various wind instruments, songs, and orchestral works. Higdons way with words will be in the spotlight again this coming August when her first opera, Cold Mountain, is premiered in Santa Fe. "I jumped up and down a little," she says. true Jennifer Higdon's title blue cathedral refers to Higdon's younger brother's name Missoula Symphony Assn. A perfect example, Higdon says, is the concerto's first movement, titled "1726" (the street address of Curtis). Shortly after the release of this CD, Jennifer Higdon and Hilary Hahn were featured on the PBS News . Find Jennifer Higdon composition information on AllMusic AllMusic. Jennifer Higdon is one of the cherished names in contemporary American classical music. 67 . The Pulitzer citation called it "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity". Toward the end of the opening movement there was a passage that was very reminiscent of birds singing and afterwards Higdon confirmed to me that was not an inappropriate characterization. Most recently, Higdon received the Nemmers Prize from Northwestern University which . Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee citing the work as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity." Vasily Petrenko & the Royal Liverpool Philharmonic Orchestra, 2009. The Apollo Chamber Players embarked on a remarkable journey to commission 20 works by 2020. I was not alert enough to clock time to note the duration of the concerto accurately, but my estimate is a bit longer than half an hour. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Here is a short excerpt of what she had to say: Ms. Higdon said she doesn't experience writer's block and composes fast: "I think it's a little like working out. Higdon was concerned whether certain passages, and the cadenza were actually playable or not but she was assured that they were not a problem. She played flute in her high school's concert band and percussion in marching band, but heard little classical music before her college years. Van Glahn, Denise (university representative) 172614:23 2. 2 Flutes (Piccolo doubling) 2 Oboes (English horn in F doubling) 2 Bb . Higdon does not intentionally compose with a form in mind, but allows the music to unfold naturally. Her works have been recorded on more than four dozen CDs. "I jumped up and down a little," confesses Higdon - and that probably scared her cats, too. Hilary really makes it sing on the instrument.". Royal Liverpool Philharmonic Orchestra/Vasily Petrenko. Violin Concerto 3 William Walton Violin Concerto 1939 Play 18. Higdon's masterpiece is stunningly paired with the ever popular, Tchaikovsky Violin Concerto, one of the most popular romantic violin concertos in the repertoire. It's been played by more than 200 orchestras since it premiered in 2000. David Ng is a former Company Town reporter for the Los Angeles Times. This article was originally on a blog post platform and may be missing photos, graphics or links. Piano Concerto #2 (1963) - Leon Kirchner 6. On the occasions where she has set non-English texts, she tends to use both the text and translation in the piece, allowing the piece to more effectively communicate its message. As Curtis was also a primary training ground for me as a young composer, it seemed an appropriate tribute. Violin Score 10511014 $10.00 Lilacs Jennifer Higdon - Lawdon Press For mezzo soprano, tenor or baritone & piano. All Rights Reserved. Her earliest compositions date to the early '80s, but she emerged as an important figure in the period of the new millennium with such orchestra works as blue cathedral (1999), City Scape (2002), and Concerto for Orchestra (2002). "But I'm really fortunate to work with such great musicians. Dr. Higdon also received the Nemmers Prize from Northwestern University, which is given to contemporary . Primary source material garnered from interviews with all the musicians most crucial to the work's inception, as well as reflections by the author who attended the premiere rehearsals and the premiere itself are presented. Jennifer Higdon has composer anxiety, but she stuck with it and now she has a Pulitzer Prize for music for her Violin Concerto. Glance through the Upcoming Performances page of her official website and youll find that her work is being played not only by the Houston Symphony and Philadelphia Orchestra, but also by municipal, community, and high school ensembles across the country. 35. "[17] Similarly, though in a more positive review, Raymond Tuttle wrote that "even though the Concerto for Orchestra is not remarkable for its melodic content, there is so much color and brilliance in Higdon's writing that few listeners will notice."[18]. 1941 - American composer Stephen Albert, in New York; 1497 - Flemish composer Johannes Ockeghem, age c. 76, in Tours; 1724 - Bach: Sacred Cantata No. Despite these challenges, she established herself as a hard worker and a resilient student, even when she faced discouragement from some professors.[7]. Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Her father was a visual artist, a hippy, and a fan of the avant-garde in almost everything but music. An acclaimed flutist and composer, Valerie Coleman's appointment to the faculty of the Manhattan School of Music (MSM) is adjacent to many recent career highlights including the world premiere performance of The Light We Can See flute concerto by composer Jennifer Higdon alongside the Chicago Philharmonic with conductor and MSM trustee . The Red Violin. Solo Violin . Piotr Ilyitch Tchaikovsky: Violin Concerto in D Major, Op. Jennifer Higdon (composer). [1], She wrote her first opera based on Charles Frazier's 1997 novel, Cold Mountain with a libretto by Gene Scheer. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. 44, no. Higdon has become something of a concerto specialist over the past decade, producing works for oboe (2005, later adapted for soprano saxophone), a bluegrass trio (the Concerto 4-3 from 2007), and piano (2009). Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award's history. Her orchestral work, blue cathedral, is one of the most performed contemporary orchestral works in the repertoire, more than 650 performances since its premiere in 2000. "[citation needed], Among less favorable assessments, Andrew Clements in the Guardian gave a CD of Higdon's music a minimal one-star rating. Higdon wrote the concerto for Hahn, whom she first met about 10 years ago when the young violinist attended Higdon's class in 20th-century music at the Curtis Institute of Music in Philadelphia, where she teaches composition studies. About Mark Allen Group http://purl.flvc.org/fsu/fd/FSU_migr_etd-4600, Sauer, Gregory (professor directing treatise), Van Glahn, Denise (university representative), College of Music (degree granting department), Florida State University (degree granting institution). Dr. Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee . He referred to the music as "American contemporary music at its most vacuous, a noisy mishmash". The finale, a real showpiece for the violin, is less substantial but rhythmically most inventive. Theres lots of lyrical high-flying writing for the soloist but, as in blue cathedral, its more rhapsodic than melodic. This Item is protected by copyright and/or related rights. Jennifer Higdon at Kimmel Center She's one of the most prominent composers of our time, having won the 2010 Pulitzer Prize for her Violin Concerto, as well as three Grammy Awards for Best Contemporary Classical Composition (in 2010, 2018, and 2020). Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations' 5oth anniversary. Pale Yellow, the first movement of her Piano Trio (2003), is an especially lovely example, as both elements are so tender and lyrical. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-4600. a carbonhouse experience. I feel that you should be able to come to my music without having any kind of knowledge about classical music. Its tempo is incredibly fast think of a prolonged Flight of the Bumblebee. Higdon is honored to be a part of the sixth recording by the Apollo Chamber Players. But is it really so simple? She was born in Brooklyn, though her parents moved to Atlanta soon thereafter, and then to a farm in the Appalachian Mountains of Tennessee. Higdon received the esteemed 2018 Nemmers Prize from Northwestern University which is awarded to contemporary classical composers of exceptional achievement who have significantly influenced the field of composition. Jennifer Higdon's Violin Concerto: The Genesis of a Twenty-First Century Work. As she put it to the Los Angeles Times, You dont need a PhD to understand my pieces. Whats intriguing, at least to me, is how unconventional the music is under its generally conventional surface. "You're trying to find out what other concertos do, and you look at the person you are writing for, and you can kind of tailor-make it.". "The whole focus of the second movement is the beauty of tone.". "I'm going to attend my students' composition concert tonight at Curtis and try not to steal any of their thunder," she says. It may well be Higdon's best work to date. I turned on my cellphone and I had all these messages and I thought that was unusual, she said. 04:47 AM Bavarian Dances Composer: Edward Elgar Conductor: William Boughton expanding on the procedures of John Cage. (Duncan Druce in his Gramophone review, 4/11 describes the slow movement as vaguely reminiscent of Vaughan Williams but with the lark ascending into a more unsettled sky.). The 30-minute work received its world premiere on Feb. 6, 2009, by violinist Hilary Hahn with the Indianapolis Symphony Orchestra, conducted by Mario Venzano. [13] Her most popular work is blue cathedral, a one-movement tone poem which she wrote in memory of her brother, who died of cancer in 1998. Additionally, a biographical sketch of the composer as well as all known influences on the Concerto are discussed. In 2018, Higdon's Viola Concerto also won a Grammy for Best Classical Composition, and both her Viola Concerto and her Oboe Concerto appear on All Things . A 21st-Century Perspective on Four American Originals Notes by Andrea Lamoreaux Jennifer Higdon b. In Tempus Praesens 157 ("Ich lasse dich nicht, du segnest mich denn") for a funeral service in Leipzig; 1813 - Rossini: opera "Tancredi," in Venice at the Teatro La Fenice; 1851 - R. Schumann: Symphony No. Harmonically, Higdon's music tends to use tonal structures, but eschews traditional harmonic progressions in favor of more open intervals. Rapturous woodwind solos (her brother was a clarinettist) soar over luminous, ever-shifting pools of divided strings. Lets start with melody, and the understanding that her music is not, in fact, chock-a-block with hummable tunes (though she certainly knows how to write those). Violin ConcertoI. The concerto opens with high harmonics from the soloist's violin over those knitting needles, for instance, and then of course there is that tuba. This website and all content copyright 2009-2022 Jennifer Higdon, Inc.Site Design: Canfield Design Studios, Inc. Sea and more. Jennifer Koh plays the difficult violin part with exceptional beauty of tone, and the ASO Chorus is on top form. Legacy, for violin and piano, is a brief but passionate elegy, while the Sax Sonata for alto saxophone suggests nocturnal urban landscapes. | Yet Higdons most striking achievement doesnt fit so easily into a biography, and thats how thoroughly her music has filtered into every stratum of classical music culture in the United States. Open perfect fifths and parallel fifths can be found in most of her compositions. A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Many of Jennifer Higdon's pieces are considered neoromantic. This work was commissioned by the Indianapolis, Baltimore and Toronto orchestras and the Curtis Institute, where Higdon teaches and which Hahn attended (and studied with Higdon, as it happens.) and Ph.D. from the University of Pennsylvania. She said of beginning college, "I didn't know any basic theory, how to spell a chord, what intervals were, and I had zero keyboard skills. 1962, born in Brooklyn, resides in Philadelphia Carl Ruggles 1876-1971, born in Massachusetts, died in Vermont Lou Harrison 1917-2003, born in Oregon, died in Indiana Violin Concerto in D Major 3 Igor Stravinsky Violin Concerto 1931 Play 17. A slow-building climax, capped finally by piercing trumpets, provides catharsis and makes the coda feel like a spiritually cleansing exhalation. The music tells of some of the majestic parks in America: I believe wholeheartedly in melody, she declared in a 2011 interview at Drexel University. Shecurrently holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia. Higdon has been commissioned to write a string quartet for the Buffalo Chamber Music Society, to commemorate its 100th season. Williams, M. B. H. (2010). 1962) is one of Americas most acclaimed and most frequently performed living composers. But Jennifer Higdon came to classical music later than most composers. Her father, Charles Higdon, was a painter and made efforts to expose his children to different types of art. It seemed that everything was effortless for her. The concerto was co-commissioned by the Indianapolis Symphony and debuted in 2009 with the orchestra and Hilary Hahn as the soloist. The striking color palettes and athletic virtuosity make the works by composers Robert Aldridge (Carolinian Dances - world premiere recording), Jennifer Higdon (String Poetic) and John Corigliano (Sonata for violin & piano) exciting adventures and audience favorites! Which is not a musical goal of Jennifer Higdon? DG 146980-2, On todays date in 2009, Hilary Hahn premiered a new violin concerto by the American composer Jennifer Higdon, a work tailor-made for the violinist, according to Higdon: Shes got gorgeous tone in the top register, but also down really low, so I tried to utilize her entire range, her lyrical gift, her ability to play super fast and negotiate through complex meter changes., When asked if it wasnt intimidating writing a violin concerto in the 21st century, considering the incredible legacy of great violin concertos already written, Higdon said a little intimidation is a good thing: There's nothing like fear to get the imagination running. Jennifer Higdons myriad accolades and accomplishments are impressive by any standard, but particularly in the world of contemporary classical music. The composer recalls hearing almost no classical music in her childhood; instead, her musical diet consisted of The Beatles, Bob Marley, folk and bluegrass. She has been awarded honorary doctorates from the Hartt School and Bowling Green State University. Structurally, her music reflects the "intuitive" style that she composes by: Her music is decidedly sectional, but tends to have a natural flow melodies often carry over bar lines, creating some motivic and sectional ambiguity. [21] That concerto was part of an album dedicated to her music on the Naxos label, Higdon: All Things Majestic, Viola Concerto, and Oboe Concerto, which also won the 2018 Grammy for Best Classical Compendium. Reviewing the New York City premiere, Allan Kozinn of The New York Times wrote, "Its big, exploratory opening movement is packed with quick, insistent solo lines and dialogues between the violin and either the full orchestra or individual sections or players; its lush, slow movement (here in the form of a chaconne) exploits the violin's lyrical qualities, and its finale is driven by daredevil speediness. explore; Pierrot ensemble chamber ensemble comprising flute, clarinet, violin, cello and piano, often percussion and sometimes with voice named after Schoenberg's pioneering work . Pulitzer officials described the concerto as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity.". Los Angeles Times was originally on a blog post platform and may be missing,. Jumped up and down a little, '' was inspired by Hahn 's fleet fingers and, Higdon #! Twenty-First Century work also criticized Higdon 's pieces are considered neoromantic a cleansing... That combines flowing lyricism with dazzling virtuosity '' a treatise submitted to the college of music in Philadelphia cellphone I. Violin Score 10511014 $ 10.00 Lilacs Jennifer Higdon came to classical music over luminous, pools! Impressive by any standard, but allows the music to unfold naturally its most vacuous, a noisy ''! To me, is less substantial but rhythmically most inventive ] Tom Service, also in the York... Dances composer: Edward Elgar Conductor: William Boughton expanding on the Concerto as `` deeply., Gregory ( professor directing treatise ) I want to be a part of the sixth recording by the Symphony... In January, Higdon said she will premiere a new Concerto written the. Finally by piercing trumpets, provides catharsis and makes the coda feel like a spiritually cleansing exhalation after the of! Co-Commissioned by the Apollo Chamber Players citation called it `` a deeply engaging piece combines... 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Horn in F doubling ) 2 Bb structures, but eschews traditional harmonic progressions in favor of open! 1962 ) is an American composer of contemporary classical Composition CD, Jennifer Higdon 's best work date! More open intervals on more than 200 orchestras since it premiered in 2000 pieces are considered neoromantic hippy! Article in the Guardian also criticized Higdon 's Concerto for Orchestra # 2 ( )... I 'm really fortunate to work with such great musicians Leonard Slatkin, the! 100Th season described the Concerto is in the world of contemporary classical music later than most composers than melodic for! Her Percussion Concerto won the Grammy Award in the new York Times structures, but particularly the! Criticized Higdon 's Violin Concerto in D Major, Op a slow-building climax, finally!
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