Clara Schumann was a well-rounded professional musician of the highest caliber anchored in an outstanding education directed by her father that included piano, violin, theory, harmony, orchestration, counterpoint, fugue and composition with some of the finest teachers throughout Germany. Although she lived until she was 77, her composition all but stopped when she was 36 after her husband Robert tried to kill himself and was committed to an asylum. In spite of these challenges, Claras works exhibit learned and As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. Claras Trio begins softly, but with a robust main theme with the kind of bold profile that lends itself to points of imitation and motivic development. . We can therefore find it on that lifesaver of a website, IMSLP. THE WORK IS IN MANY WAYS CLARA SCHUMANN'S MASTERPIECE Much of Clara Schumann's music is written for the piano, and would have often been performed by the composer herself. Notwithstanding the change in her condition (which she had initially discovered in early April, just two months after the birth of her previous child) recorded in the Schumann household diary for that date, she played a public concert the next day. . Clrchen, you are not really seriousand if you were to be forgotten as an artist, would you not be beloved as a wife? Instruments:Artists. Charles Rosen has called Clara perhaps the chief disaster of the 19th centurys prejudice against female composers. Just as Fanny Mendelssohn let her music be published under her brother Felixs name because few would believe a woman capable of such achievement, so did Clara allow songs she wrote to be published under the name of her husband, Robert. trailer A rather detailed dissection of everything you need to know for A Level music: Schumann Piano Trio, from texture and dynamics to tonality and context. Clara Schumann's, "Piano trio in G Minor, Op. Clara puts her Bach studies to use in the development section, a confident excursion into counterpoint, and uses a scholarly and controlled approach to a section that other composers of the time dealt with more freely, even sloppily. Again, however, Schumann gives us a tonal surprise by modulating to the remote key of B major for bar 222. The finale, Allegretto, returns to the major mode and to sonata form. You will also have to know them back to front, upside down and off by heart! 3 0 obj A similar amount of time yielded the twenty songs of the cycle Dichterliebe . Thats actually something called, During the development the violin and cello frequently use, The use of imitation and dialogue automatically pushes us towards, In the first two beats of bar 11 the piano plays a, In the second two beats of bar 11 (yep, its a busy bar!) To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. <> 5; Klaviertrio a-Moll, Op. . Ehejahre 1840-1856. Anne-Sophie Mutter joins her protg and Sony Classical artist, cellist Pablo Ferrndez, for this new recording of Brahms's bijoux Double Concerto and the unjustly neglected Piano Trio by Clara Schumann. Tickets cost 20,000 to 30,000 won. Written in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann was her only piano trio[1] and was composed during her stay in Dresden 1845-1846. 17, of 1846 holds a contested place in the nineteenth-century repertory. endobj <>/Border[0 0 0]/Rect[81.0 653.07 149.177 707.07]/Subtype/Link/Type/Annot>> This Piano Trio is one of the few multi-movement works in her catalogue. Using this guide to Clara Schumanns Piano Trio in G minor, you can boost your grades with as little effort as possible! 0000008596 00000 n hb```f``YADX, B`~! Mo1b|qGP&Hc_ y,^ru'Wl\U1,}+_0|7p7OUysTQw>SUs^W}9CG 5D2JTuL`.2 She recapitulates her secondary material in G major, before returning to G minor for a dramatic coda. 22; Sechs Lieder aus "Jucunde", Op. Its main melody is subtly related to the main theme of the first movement and polyphonically pliable. The sonata-form first movement is filled with Romantic ardor, from its urgent lyrical themes tinged with longing, to its vigorous contrapuntal development section, to its brief, driving coda. There are some bigger leaps, however, such as the octave leap in bar 6. 2:8g\UA hk U@|cw;3>eLce81eVy 2, trans. The University of Arizona Libraries | 1510 E. University Blvd. The history of the two works is interesting. In the middle of movement all three parts play dotted rhythms, which contribute to the contrast of the emotion of the piece. 17; Robert Schumann: Piano Trio in D minor, Op. Here are some other interesting points in the music: There is wide dynamic range to be found in this movement. She was referred to as the Queen of the Piano, and was instrumental (geddit?) 0000031745 00000 n 17 not only contains compositional traits that conform to the standards of the nineteenth century piano trio but also features unique to her own compositional style. This site uses cookies to offer you the best possible experience. By all accounts, the marriage was extremely felicitous at first, though Clara confided to her diary some nine months into her life as Frau Schumann (and six months into the first of her eight pregnancies prior to Roberts 1856 death) that my piano playing is falling behind. It is in E-flat major and is more lyrical than Scherzo. Following her mother's departure from the family home, Clara, aged four, had been taught piano, music theory and composition by her father alone. - Youtube videos - Analysis of each element - Questions to consider - Wider listening ideas with a task for students to . Grace Williams: Violin Sonata. After making a selection, click one of the export format buttons. endobj In bar 103 in the cello part it becomes a, The cello doesnt suddenly become a violin when it plays in the treble clef! As Nancy Reich observes in her ground-breaking biography of the virtuosa, Clara Schumann: The Artist and the Woman: Once she realized that wet nurses were available, that the baby could be boarded with relatives, that an additional maid could be hired for a pittance, that motherhood did not necessarily tie her down, she wasted no time. Happily, Claras trio was well received in its initial private performances, which may well have prompted the trio thoughts Robert recorded having near the beginning of June of 1847. features unique to her own compositional style. Well, if not, re-read the structure section, as you will need to know all about them for this section. new light on this work in particular and her abilities in general. This study demonstrates that 17, 88 & 110, Music@Menlo 2011: Through Brahms Disc 6: Schumann, C. Schumann, Brahms, Clara Schumann: Trio in G minor, Op. This speed is backed up by the BPM marking of crotchet = 152. Her husband Robert Schumann was extremely ill. Russian Piano Music Andor Pinter 2013-01-16 This collection of 44 pieces spotlights . Create a free website or blog at WordPress.com. However, as there is clearly still one dominant melody, we are going to call this polyphonically animated homophony rather than pure polyphony. Digital access to this material is made possible by the University Libraries, University of Arizona. There is also a fairly unprepared modulation to D major in bar 57. Ultimate Guide to A Level Music: Eleanor Rigby, Ultimate Guide to A Level Music: Tomorrow Never Knows. It was premiered in 1861 in Hamburg, with Clara Schumann at the piano. )8?H? Not one little hour in the whole day is left for me! she wrote in 1841. 17, one of her most significant works. 63, written the following year. <>/Border[0 0 0]/Rect[81.0 649.194 149.177 661.206]/Subtype/Link/Type/Annot>> It is not hard to hear how Brahms would have admired the finale, an ostensibly relaxed Allegretto with gypsy coloring. [1], The 2nd movement consists of three sections; Scherzo, Trio, and Scherzo. 0000027772 00000 n 0000008330 00000 n through the balancing of tradition and innovation, Clara Schumanns piano trio It was completed during a difficult summer in Norderney, where they had gone to try to improve Robert's serious health problems. It is more disjunct than previous melodic ideas, with a characteristic interval of a falling 4th. 63, written the following year. 17; Robert Schumann: Trio in D minor, Op. formats are available for download. [3] The work, written for a piano trio comprising piano, violin and cello, was her first attempt at writing music for instruments other than the voice and piano. Copyright is held by the author. The Complete Correspondence of Clara and Robert Schumann, vol. endobj The middle section is in the relative E minor and is louder dynamically. 4. 80 & 88; Clara Wieck Schumann: Piano Trio, Op. 63" by Schumann and "Piano Trio No. It is considered one of her best works and it's one of her few compositions more extended than lieder and keyboard character pieces. Now that that bits finally done, here are some more general melodic points: The overall texture of Schumanns Piano Trio is melody and accompaniment. how rich in invention, how interesting from beginning to end it is, how fresh and what a beautifully coherent whole! wrote Clara Schumann of her husband Robert's Piano Concerto. This movement is in common time, which is essentially short-hand for 4/4. 0000000016 00000 n After Robert wrote his trios, Clara lost confidence in hers, but Brahms was one of many others who also played the work. bar 22) uses a homorhythmic texture, meaning all the instruments are playing the same rhythms but to different pitches. Luckily, there arent too many things to say about rhythm. These contrasts between the cello and piano successfully create the mood of the "Tempo di minuetto". Different As the 19th century's most important woman pianist, Clara Schumann thus contributed to the piano repertory still expected and performed today. Well at least that bit was nice and easy! It's an unusual work for its time, when the more formulaic concerto would pitch the pianist into a battle for supremacy against the assembled orchestra. The program includes "Piano Trio No. Subscribe to our Newsletter Give to the Libraries The University of Texas at Austin This CD presents two of the finest chamber works by Clara and Robert Schumann, whose sixteen-year-long marriage was the commingling of the shared musical experience, complimentary creative requirements, and physical and emotional dependencies of two of Germany's finest Romantic-era musicians. I bit my lip before replying. 17" 2.) 136 0 obj 0000001056 00000 n Those two are the only real features youll need to listen out for with regard to chamber music. On his thirty-seventh birthday on 6 June, he began work on the first of his three full-fledged trios (an earlier group of trio miniatures would be published in 1850 as four, From the Smithsonian Collection of Recordings. This acts as dominant preparation and clearly grounds us in Bb major. 0000003783 00000 n *fK5i#FA2XiRF1]Q% & ^ !tY2l~ ~|i:&Z0ALe6Yg{rA; VGXDzs!"&}c\ZOS 4DW#S4Kh{j)+#0dRAdZ{key;H)^WH >%2W0:9 h`r-xza:V6 i.-*#b|mp=i=49,:xlz]I3A~i-&UG{ZN=->r+70I^D"*y"d~i%_FH#H2JAR#};}PVE Schumann uses lots of typically Romantic chromaticism throughout this movement. 4 0 obj Until recently, little was known about her role as a composer, and her works were consistently relegated to the domain of the "salon." Both of the Schumanns suffered during the composition of the trio. Improvisation at the Piano - Brian Chung 2007-03-02 It begins with a falling perfect 5th, but otherwise it is mostly conjunct. Instruments:Works It's Clara Schumann's bicentenary and time to put this superwoman pianist and composer into the spotlight. For these musicians and for the composer . As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. 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